Comparing the Violin to a Puzzle Essay -- comparison compare contrast

Comparing the Violin to a PuzzleA violin can be compared to a nark. Each launch of the puzzle has a unique role in the outcome of the picture, or in this case, the overall sound. The pieces are brought together by both the violins maker and its player. moreover like a puzzle, different persons, when given the same pieces probably testament not put them in the same order. This fact accounts for the differences in the designs of contain violinmakers and the tonal differences between players. To quote Joseph Wechsberg, The tone is of course created by the fiddler . . . the same violin played by several violinists sounds different in the hands of severally player, (45). In spite of the different interpretations of where the pieces should go, if any piece of the puzzle is missing or deformed, the puzzle wont fit together correctly. In order to determine whether or not the pieces are correctly assembled, it is infallible to understand the pieces and their functions.The violin cons ists of seventy parts back and belly,two parts each, 6 ribs and inside blocks, 12 inside linings, 24 purflings, 4 pegs and strings, and one each of bass bar, fingerboard, neck, scroll, nut, lower nut, tailpiece, loop, tailpiece button, bridge and soundpost (Bachmann, 58).The shape and design of the instrument is referred to as the model. The model not only influences the appearance of the violin, but also its acoustic qualities. For the most part, the acoustic effect is limited to the playability of the violin. For example, the shape of the shoulders influences the ease with which utmost positions, or notes, are played (Curtin). The choice of wood also affects the violins acoustical properties. Traditionally, violin makers used spruce and maple fr... ...r that the reader will be seduced by the violins siren song.Works CitedBachmpedia of the Violin. New York DaCapo, 1966. Curtin, Joseph. The Anatomy of a Violin. 16 March, 2003. <http//www.msen.com/violins/ slightly/anatomy.html Gough, Colin. Science and the Stradivarius. Physics World April 2000.<http//physicsweb.org/article/world/13/4/8/1/pw-13-04-09fig5 Ifshin Violins 25 March, 2003. <http//www.ifshinviolins.com/strings.html Hill, W. Henry, Arthur F. Hill, and Alfred E. Hill. Antonio Stradivari His Life and Work (1644-1737). New York Dover, 1963. Johannsson, Hans. 31 March, 2003. <http//www.centrum.is/hansi/construction/ Victor, Andrew. Bows Magic Wands. 25 March, 2003. <http//members.aol.com/bowedstrings.bows-magicwands.html Wechsberg, Joseph. The Glory of the Violin. New York Viking, 1973.